Untukmemperhalus penggabungan bagian musik, upayakan pada penggabungan akhir lagu dan awal lagu lainnya mencari nada yang kira-kira pas. Misalkan suara akhir kick drum lagu 1 berada di awal lagu 2, maka pemotongan akhir lagu 1 sebelum kick drum atau bisa juga dengan mencari nada dominan lainnya seperti Bass gitar dan lain-lain.
Sebelum melakukan edit audio anda tentunya di wajibkan mempunyai perangkat computer atau laptop yang sudah terinstal atau terpasang aplikasi buat edit audio. pada kali ini saya sedikit berbagi pengalaman edit audio yang menggunakan aplikasi Cool Edit Pro. mungkin dari beberapa teman masih ada yang belum tau caranya edit audio dengan aplikasi cool edit maupun aplikasi edit audio lainya. tapi yang kali ini kusus aku bahas untuk edit audio pakai cool edit. Langkah demi langkah edit audio menambah keras suara, menambah tone bass, treble, midle dengan aplikasi cool edit sebagai berikut » Pertama open aplikasi cool edit pro » Kemudian masukan audio yang hendak kamu edit dengan format Mp3 atau WAV Bisa kamu drag langsung file audio dari lokal penyimpanan kamu ke cool edit, Atau dengan cara yang rinci, klik tulisan File pojok kiri atas > kemudian klik Open ambil / brows file audio mp3/wav dari media lokal penyimpanan kamu > klik file audiomu dan akan masuk ke cool edit. » Setelah file audio sudah masuk, preview dengarkan audionya dengan cara klik logo play, maka akan terdengar audio yang belum di edit. » Misal kamu merasa audio tadi kurang keras, kurang bass treble maupun midle, baru kita lakukan tindakan untuk edit. Caranya Blok dulu pada bagian layer tengah atau yang kamu inginkan. klik tahan pada bagian layer audio dan geser/tarik kiri/kanan sesuai keadaan audio itu sendiri. guna untuk mempercepat dalam kita mendengarkan play preview suaranya, blok nya jangan terlalu panjang dulu agar play preview bisa berulang ulang tidak sampai durasi lama. apalagi jika file audio yang kita masukan file masih durasi panjang yang belum di potong. Setelah layer sudah ter blok serta ter play dan menurut pendengaran kamu ada yang kurang pada bagian bass midle maupun treble, silahkan edit dengan cara » klik Effects > Filters > silahkan kamu pilih pengatur filter tone yang kamu inginkan. » kamu bisa pilih Dynamis EQ / FFT Filter / Graphic Equalizer / Graphic Fhase Shifter / Notch Filter / Parametric Equalizer / Quick Filter / Scientific Filters » Ambil contoh kita ambil yang simple dulu biar tidak ribet, nanti kalau sudah lebih paham akan fungsi tool filter audio, baru masuk tahapan yang lebih extrem. » Misal kita ambil yang Quick Filter Equalizer 8 band chanel. kan chanel band graphic cuma 8, untuk memulai belajar tahapan awal lebih mudah. » Setelah Quick Filter Equalizer 8 band chanel terbuka, pertama klik Flat dulu. yang mana di artikan posisi awal masih rata persis seperti file aslinya belum kita edit. » Setelah itu tinggal kita geser satu per satu graphic band equalizernya sesuai dengan apa yang kita inginkan, untuk menambah geser ke atas, untuk mengurangi geser ke bawah. chanel paling kiri untuk subwoofer, makin ke kanan bass, makin ke kanan bass mid, makin ke kanan lagi midle, makin ke kanan lagi mid hight, dan kenan lagi hight/treble. » Sambil kamu menggeser band per chanel kamu bisa klik Preview guna untuk mendengarkan seberapa perubahan suaranya, sambil mem play preview silahkan atur masing masing band chanel graphic equalizer nya sampai pada hasil yang kamu inginkan. » Usahakan vol level master gain di posisi 100 baik yang L maupun R. untuk volume pada laptop/computer juga maksimalkan pada 100 guna untuk mengontrol perubahan kita pada tingkat paling keras yang seperti kita inginkan. » Jangan di paksakan sampai lebih dari keras kalau hasil suaranya justru over / distorsi / pecah. atur sampai tingkat paling keras yang masih nyaman di dengar di telinga alias normal. Usahakan dalam meng edit audio hasil akhir pada frekwensi tone yang maximal normal. Kesimpulanya Bass mencapai keras normal, Midle mencapai keras normal, Treble mencapai keras normal. jangan terlalu ambisi atau memaksakan untuk hasil keras kalau memang hasil tidak mendukung sampai titik keras normal. Baik dan tidaknya hasil edit audio tergantung pada » File audio awal seberapa bagus/rusak masih mending atau lebih baik file yang kurang keras dari pada file yang sudah terlalu keras over / distorsi. kalau memang file awal sudah rusak, mending tidak usah di edit. karena seberapapun kemampuan untuk mengedit tidak mungkin mencapai frekwensi tone yang normal. contoh file hasil rekam pakai hp condensor mic. hasil audionya masih berkualitas AMR yang jauh dari frekwensi normal Mp3 / WAV. » Dan juga di dukung oleh semua perangkat yang kita pakai. seberapa baik power sound yang kita pakai buat tuk kontrol suaranya, paling bagus kita pakai power sound "Sound Flat". ini biasa di gunakan para studio record untuk mengolah hasil record mereka. namun pada kita yang cuma pakai aplikasi dan perangkat yang hanya sederhana kurang tertunjang seperti studio record, setidaknya kita berusaha memaksimalkan semampunya dengan aplikasi dan perangkat sederhana. Setelah kamu rasa hasil setinganmu mencapai titik paling maksimal yang kamu anggap bagus, kilk Stop dulu, kemudian klik ADD tulis sembarang untuk nama yang kamu mau guna untuk menyimpan profil setingan EQ yang telah kamu lakukan. kemudian klik OK. maka setinganmu tadi tersimpan dengan nama yang sudah kamu tulis. jika sudah tersimpan kan bisa kita pakai lagi nanti sewaktu di butuhkan. Itu tadi tahapan pada edit audio yang mana masih preview dan sudah kamu dengarkan dengan hasil edit yang telah kamu usahakan paling maksimal. untuk berikutnya biar edit kita bisa melekat untuk full file audio tadi, silahkan Close dulu Quick Filter Equalizer 8 band chanel dengan catatan bahwa profil setingan kamu tadi telah tersimpan pakai nama yang telah kamu tulis tadi. Selanjutnya blok full, cara pintasnya klik pada tampilan layer audio dan tekan CTRL + A atau klik tahan pada layer paling kiri geser sampai pentok ke kanan, maka akan ter blok semua. setelah terblok semua, lakukan seperti langkah awal. klik Effects Filters Quick Filter klik nama yang sudah tersimpan tadi klik OK tunggu proses hingga selesai. Setelah selesai kita bisa melihat perubahan yang terjadi pada layer biasanya layer akan tampak bertambah melebar ke atas bawah pertanda ada perubahan level dan frekwensi. Silahkan kamu mem play ulang hasil editan tadi. jika kamu merasa masih kurang, bisa di ulangi lagi dan di atur lagi pada frekwensi graphic seperti tadi. Jika kamu melakukan kesalahan pada tahapan edit dalam layer, kamu bisa kembali sebelum, sebelumya lagi, dan sebelumnya lagi dengan menekan CTRL + Z berulang. Terakhir jika kamu sudah merasa cukup dengan hasil editan tadi, untuk mendapatkan file / menyimpan file audio yang telah kita edit tadi cukup dengan cara klik File > Save As > Pada Save as type silahkan pilih format yang kamu inginkan contoh pilih Mp3 Save in untuk memilih lokal untuk media penyimpanan, File name untuk nama file yang mau di simpan > klik Save > Tunggu proses hingga selesai. Lihat hasil file yang telah tersimpan pada lokal disc pilihan kamu tadi dengan nama file yang telah kamu tuliskan tadi. Kemudian putar apa hasilnya sesuai harapan normal. semua itu tergantung pada kinerjanya, baik dari bahan file audio awal, seberapa kita jeli atau pandai edit audio, serta dukungan aplikasi dan perangkat yang bagus. Untuk cara memotong audio mp3/wav dengan rapi dan komplit bisa kunjungi WARNING !!! Jangan terbiasa melakukan Save, lebih baik Save Save itu merupakan penyimpanan dengan apa yang telah kamu lakukan pada file itu sendiri file asli awal Sedangkan Save as merupakan penyimpanan baru dengan apa yang telah kamu lakukan, tidak merusak atau melakukan perubahan pada file yang asli awal, atau lebih singkatnya Save as akan menciptakan file penyimpanan baru, bukan file sebelumnya yang tersimpan. Dengan syarat name file ketika kamu melakukan Save as harus berbeda namanya, jangan kamu samakan persis. Sekian dulu coretan Cah Kere Elek di siang bolong ini. sebenarnya aku sudah terbiasa bubuk siang. malam melek siang merem alias habitat kelelawar. Semoga bermanfaat dan met bubuk
9) Unduh Otomatis - Masukkan tautan video dan kata kunci lagu, YTMP3 akan secara otomatis mengurai dan mengonversi, tanpa konversi manual. (10) Mendukung Semua Perangkat - Situs web kami dapat digunakan di semua platform, dan kapan saja, Anda hanya perlu membuka URL dan memasukkan tautan untuk mengunduh. Cara Download Lagu YouTube MP3 di YTMP3
ï»żBass is a beautiful, dynamic instrument that pulls melody and rhythm together to fortify the low-end and the feeling of the musical piece, whatever it may be. It brings richness and fullness to music that would otherwise be thin and tinny. By adding bass to a song, you instantly change its dynamics and feeling. Itâs hard to say that a song without low-end frequencies is a song at all. In fact, this is one of the reasons why older recordings tend to sound tinny â they lack low-end. So how does one go about adding a bass guitar line to a song anyway? To add a bass line to your song, first figure out the key signature of the passage, and then apply a phrase of notes based on an applicable scale while at the same time thinking about how you will execute dynamics, rhythm, phrasing, and most of all, the feeling of the song. Perhaps the most important part of being an astute bassist is to understand how one thinks, including how to add and contribute to the song in a way thatâs unobtrusive. Understanding techniques and getting tips from other bassists will help you develop your own style. Furthermore, having a solid comprehension of the different types of bass lines will give you a great foundation from which to work. An added benefit of this is that youâll have something to rely on if you get stuck in a rut and are unable to come up with something. Adding Bass To A Song A Step-By-Step Guide 1 Figure Out the Songâs Key Signature A Memorize the Major and Minor Scale The C Major Scale on Bass The A Minor Scale on Bass B Find the Main Note of the Song C Play the Notes of the Minor and Major Scale in the General Area 2 Understand Some of the Best Bass Techniques and Styles Types of Bass Lines Staccato and Punches for DynamicsApproaching Rhythm Fingers or Pick? Mimicking Guitar in Different Octaves Walking Bass Lines Counterpoint Approaches Break Out of âthe Boxâ Mono Rhythmic Chord Follower Follow the Bass Drum More 3 Understand Which Scales, Arpeggios, and Chords Will Work 4 Improvise and Play Around With Those Scales, Arpeggios, and Chords5 Once You Have Something â Add It to the Song 6 Refine It Until Youâre Happy With It Other Tips for Adding Bass Guitar to a Song Sometimes Less is More Control Your FrequenciesThink About Voicing and PhrasingWhat to Consider When Adding a Bass Guitar Bassists Think About ToneBassists Think About Melody Bassists Think About the Kind of Music They Play Bassists Think About the Feeling and Expression of the SongBassists Listen to Great Bassists Gear Mentioned Adding Bass To A Song A Step-By-Step Guide 1 Figure Out the Songâs Key Signature A Memorize the Major and Minor Scale As I explained already in my guide on figuring out the key of any song on guitar, determining the key signature of a track is not that complicated once you finally understand how to do it, but getting there is challenging. Once you finally understand how to determine the key, youâll ask yourself how you ever struggled with it to begin with â I know thatâs how I feel about it. In the guide I just linked too, I offered an in-depth explanation of the major scale and its modes, including Ionian which is the major scale, dorian, phyrgian, lydian, mixolydian, aeolian, and locrian. Now that Iâve thought about it over time, I realize you really only need to learn the notes of the major scale and aeolian mode which is just the minor scale. The C Major Scale on Bass The A Minor Scale on Bass B Find the Main Note of the Song Listen to the song or the players around you, and try and think of what note is the foundation of the track. There is always a note that a musical piece will come back in some form or another, and that is the usually but not always the key. Play the Minor and Major scale around that note to find the point where the notes of the scale fit in with the other players around you. C Play the Notes of the Minor and Major Scale in the General Area Once youâve memorized these two shapes, you can just move them around on the neck of the bass guitar until youâve found the spot where it sounds good. Both of these shapes are totally movable, which means you can put them on any fret of the guitar on the bottom E string. This is what I do when I want to figure out the key of the song and I find it works pretty good. 2 Understand Some of the Best Bass Techniques and Styles Types of Bass Lines Now letâs look at the different types of bass lines. Every song is different, but every genre has little innuendos that make it sound the way that genre sounds. Knowing these differences will help you write appropriate bass lines for your music. Staccato and Punches for Dynamics Staccato notes and punches in songs with drums, bass, and guitars can be magical, especially in rock songs where chanting is involved. Think of how cool Bohemian Rhapsody is, or a drop or rest in a song. Staccato and punchy bass lines are a dynamic approach that can be heightened by the bass and utilized when writing a song with bass in mind. Staccato notes are typically indicated with a small dot over top or underneath the musical note like what you can see above here. I made this short little bass line in style of Fleaâs bass line in âAround the Worldâ from Red Hot Chili Peppers. His bass line in that song, particularly in the verses are a very good example of staccato bass notes that give the a song a ton of jumpiness, punchiness, and dynamics. Once youâve figured out the key signature of the song, try playing the notes from the Major or Minor scale while using staccato notes. See how it sounds. Approaching Rhythm Pay attention to the rhythm and melody of the song, or as non-musicians call it, the âbeat.â There is a rhythmic flow of the track and try and think of how you can enforce that rhythm with the bass line. Using the example of âAround the Worldâ again, which has one of the best bass lines of all time and all throughout. Each part of the song is reinforced or strengthened by Fleaâs bass lines. The beginning of the song is very frenetic in its tempo, energy, and vibe, and so is the bass line. You can check out the tablature for it here jake_luvs_bex at ultimate-guitar Bass is a rhythmic instrument that marries the drums with the other instruments. It wouldnât be a bad idea to have a solid understanding of rhythm to help you write meaningful bass lines. Approaching your bass playing in a rhythmic way can make your song have a more lasting impact and feeling. The bass is the feeling of the song, so it should be approached as a vital role in the music, just as vital as the drums. Fingers or Pick? Using either your fingers or a pick when playing bass is definitely something that helps determine tone, but many people find themselves wondering if they should use it. Itâs not a crime to use a pick to play bass. Itâs a technique that has a significant impact on tone. To get a specific âattackâ on the strings that will punch through at the mid-range, you can use round wounds and a pick. To get a smoother tone that doesnât punch through as much, use your fingers on flat-wound or semi-round wound strings. Using a pick with bass is often associated with punk music or guitarists that play bass. Itâs done by using a downstroke on every note with seldom upstrokes. A great example of a riff like this is from Alice In Chainâs song, âMan in the Box,â played by Mike Starr. All of the notes here are played with a downstroke. KennyM79 at ultimate-guitar Mike regularly used a pick and his bass lines on Facelift in particular were really good. Generally, you use a pic on a bass or guitar by alternating up and down strokes. This alternating pattern gives fluidity to the notes as you play them. Using your fingers also unlocks a fluidity you canât get with just downstrokes. Whether you use a pick or not isnât something to sweat over. If you want, you can play with a pick sometimes or without one the other times. While it might seem like it sometimes, there are no âpick-police officersâ in real life just on the internet. Mimicking Guitar in Different Octaves Like the piano or guitar, rock and blues use octaves a lot. Bass lines that follow strictly what the guitar is doing arenât exactly good for dynamics in a song, but can be if used the right way. You can control your playing volume and add dynamics that way, but adding a more exciting melody would require breaking free from writing bass parts that only mimic the guitars. A great example of this is in the song âThe Olive Tree,â from Scale The Summit at the 241 mark in this Youtube video here. Shout out to the guy who covered this song, he did a good job. The Olive Tree - Scale The Summit bass cover When you use octaves back and forth, the root note and octave, you can create a colossal swelling and contracting of all frequencies. This dynamic is an enjoyable way to add instant dynamics to the feeling of the song. Play them fast, and it sounds like an organ player, play it slower and really feel the bass driving the music. Walking Bass Lines A walking bass line is usually a line of notes that are equal in timing and power which tends to create a sense of the song moving in a particular direction. The purpose of a walking bass line is to make the song feel like itâs going somewhere. Hint âwalking.â It doesnât stop, and it ties all the melodies together. Itâs counterpoint at its finest when done correctly and can make the song feel busy and have a purpose. A great walking bass line can make a song if itâs a song that needs a walking bass line. Adding several succession of notes per measure to keep the rhythm moving can impact the song a lot. But slowing those successions down with deliberate walks around the scale can give a counterpoint melody and enhance a rhythm in a way thatâs hard to describe in words. Counterpoint Approaches In music, counterpoint is the relationship between two lines of music that are harmonically independent or interdependent of each other. When the lines are played together, the focus is on the melodic interaction. This interaction can be similar or have vast differences, but when played together, it fits sonically. To play a bass melody in counterpoint with the guitar or even drums will make the bass line stand out and also give the music incredible dynamics. Think of âRamble Onâ by Led Zeppelin, the bass has its iconic melody, the drums are playing 32nd notes in succession, and the guitarâs melody is in its own world. All in the same key, but interacting so that they make the song exude personality and memorability. The bass line in âRamble Onâ stars at 011. Led Zeppelin - Ramble On Official Audio Memorable and melodic bass lines are where the best of the best shine through. Itâs not the easiest thing to do, but when you make a bass line like this that remains memorable and stands out, you create an atmosphere and voicing that will be classic and unforgettable. Break Out of âthe Boxâ Every guitarist and bassist is fairly familiar with scale patterns and how they look on the fretboard particularly rock and blues guitarists my guide on what they use. Theyâre definitely useful, and most of us who take the instrument seriously have had a phase where we spent a lot of time memorizing scale patterns and so on. In fact, I recommend that you learn at least the major scale and the seven modes of it like I suggested in this article here on memorizing key signatures. This table here consists of the notes of every major scale and minor scale. It should help you. C AmGEmDBmAFmECmBGmFDmDbBbmAbFmEbCminBbGmFDmDAEBFCGEBFCGEBFCGDAFCGDAFCGDAEBGDAEBGDAEBFCAEBFCAEBFCGDBFCGDBFCGDAECGDAECGDAEBFDAEBFNotes of the Major and Minor Key SignaturesMajor Key = BoldMinor Key = Italicized If you know your key signatures; you know the major scale, and you know how to play the 7 modes of the major scale, youâll be in a great position to âbreak out of the box,â so to speak. You wonât have to just hover around one position on the fretboard all of the time. Personally, I think that learning the modes and chords of the major scale like I outlined in my article on Producer Society, the harmonic minor scale, the melodic minor scale, and the harmonic major scale is all you need to know if you want to jam with other people. Mono Rhythmic Chord Follower A mono rhythmic bass line follows the chords played on the guitar and helps set the songâs movement. Itâs a hypnotic type of bass line that moves the piece along. Itâs done by keeping on the one or root note most of the time without deviating too much to the other notes of the scale. Adding some walking lines to transitions of these mono rhythmic lines will make them more dynamic and will add more movement to the song. The guitar chord and bass line is an example of following the notes of the chord in the most basic of fashion. The guitar will strum the chords that are shown on the right, and then the bass is just outlining those chords in an arpeggiated fashion. You can use this concept in other more interesting, dynamic, and cool ways. Follow the Bass Drum More This punchy bass line follows what the drums are doing and suitable for locking in with your drummer. Most of the time, when you hear someone talk about a good bassist, they talk about how well the bassist follows the drummer or the kick. While itâs true that the bassist should follow the rhythm of the drums because itâs a vital part of the rhythm section, it also needs to stand out enough to know itâs there. Using âRamble Onâ as another example, the bass line closely follows the kick drum at the 110 to 111 mark with approximately three notes in the span of just one second. The bass here closely goes along with the kick, and itâs a big part of the reason why the chorus of this amazing song sound so good. Led Zeppelin - Ramble On Official Audio A punchy bass line, like this one, will have a big impact on songs that are upbeat and exciting. You can achieve this by looking at the kick and snare pattern of your drummer. Your big movements should lock in solid with their kick and snare pattern. 3 Understand Which Scales, Arpeggios, and Chords Will Work If you know what key signature the song is in, this is usually enough information to start jamming along to the track. Itâs even more helpful to understand what chords are being played. If you know these two things, youâre set for beginning to play along. There are some exceptions to this rule, for example, some jazz songs feature more chords and melodies that are outside of a typical scale pattern or key. This can be in the form of chromaticism or in non-diatonic harmony. âNon-diatonic harmonyâ is just a fancy way of saying outside of the scale or key signature. And chromaticism describe the notes between the notes that are part of the scale. For instance, in the key of A Major, A and B are one whole step apart from each other. If you play the Bb between the A and B, thatâs a chromaticism because itâs between the two notes that are a part of the scale and key. 4 Improvise and Play Around With Those Scales, Arpeggios, and Chords Once you have an idea of where youâre at and what youâre doing, play around with the notes, scales, arpeggios, and chords that could possibly go with the other sounds. Weâll use the example of G Major. In G Major, the notes are the following G, A, B, C, D, E, F, and G again. Use this chart again for a frame of reference. Just from knowing the key signature of the song, you already have access to the main scale, its relative minor, the chords of that scale, as well as the arpeggios of those chords. Again, the notes of G Major are G, A, B, C, D, E, F, and G. Then, the chords are G Major, A Minor, B Minor, C Major, D7, E Minor, F Dim or Fm7b5, and then G Major again. So you know the chords of G Major, and then you can just Google the arpeggios of those chords and you have even more material to work with. Additionally, you could use the relative minor, Em, and then you could use the E Minor Pentatonic, or maybe the E Minor Blues Scale. depending on whatâs going on with the song. 5 Once You Have Something â Add It to the Song This part is fairly straight-forward. Once you have a bass line, go ahead and add it to the song. You can use DAWs like Garageband, or you could use FL Studio 20 from Plugin Fox. Recording is its own separate tutorial, as there are many nuances of going about it. However, some important things to do right off the bat which generally allow you to avoid certain problems are the following Use a good audio interface like the Focusrite Scarlett 2i2 check the price on Amazon Use a metronome to stay in time. Make sure to tune your bass beforehand Make sure the monitoring button is turned on Properly label every part of the recording Turn down the gain on your audio interface Leave plenty of head room Use time quantizing if you need it. Make sure to save your projects regularly 6 Refine It Until Youâre Happy With It Once you have a solid recording draft in your project, you could probably go ahead and practice it over and over again to get it perfect, and then go back and re-record it to really make sure that itâs perfect. Nowadays, itâs possible to record one note at a time at a super slow pace and then just speed it up in post-processing surprisingly many people do this. A lot of rock and metal fans would be furious if they knew, but it is what it is. If you wanted, you could do something like that, but I would suggest actually being able to play your parts for real because not only is going to sound more musical and ârealâ in the recording but when it comes to playing it live, youâll actually stand a chance. Other Tips for Adding Bass Guitar to a Song Sometimes Less is More This adage is true when adding bass to a song, mainly because when you add bass, you are adding more octaves. Youâre adding a lot of dynamic just by adding those extra octaves, so a good rule of thumb might be to not overdo it. Itâs really easy to overdo or undercut the importance of a good bass line, and itâs even easier to suppress it in the final mix. You need to have the balance of highs and lows to really get what you want out of the bass and to make the song feel the way you want it to feel. To keep from overplaying or underplaying is the delicate balance of being a good bassist. You have to know when to lead and when just to Your Frequencies Bass is at the lowest frequency and can drown out everything around it with too much of it. Think of the times you hear a subwoofer with too much low end; the music seems to cut out because our ears cannot understand the frequency variation. If you were to write a song with too much bass, you run the risk of cutting out all your highs and mids. To control this, you must find a great balance that is adequate for your bass and rig. Too much bass and not enough mids or high-end HZs can give your mix a low-end nightmare. Turing up more mid or high-end will break through your tone a little to make the bass lines stand out a bit more in the mix. Think About Voicing and Phrasing Good phrasing comes from practice. Playing and getting to know many different types of music can help you when it comes to picking out great phrasing. Guitar lines that have great phrasing are memorable and can usually be played by people by ear. Spending a little extra time developing your phrasing for a song will bring more memorable bass lines to your music. What to Consider When Adding a Bass Guitar Bassists Think About Tone The tone is one of the most essential factors when adding a new instrument to your music. Having a great bass tone that mixes well with the other instruments in your music will give it support and memorability. From the type of bass strings, all the way to the type of wood the bass is made out of should be considered if you are going to pick out a bass yourself to be the backbone of your sound. Finding the right bass for your music may be easy if you know what you are looking for. A good standard bass from a local guitar shop or online can cost you a few hundred dollars up to a few thousand. If you have a decent bass that you could change out pickups or strings to enhance your tone, you might start there if you canât readily afford the dream bass you want. Pedals, although not high on a bassistâs list of demands, are often used to change the tone and frequencies of the instrument. If you think your song needs more compression or more delay, then you may need a pedal that delivers that. Most of the time, youâll see a bassist with minimal pedals or just a tuner; their tone comes from the bass and the cabinet they use. Bassists Think About Melody Melodies are categorized in two ways, Conjunct Motion and Disjunct Motion. Knowing the differences in these can help you write better for the needs of the song. Conjunct motion is when the intervals are closer together, resulting in a simple melody that sits excellent in one octave. A disjunct motion means that the melody has broader spaces between intervals making the melody seem more difficult or have a wider range. If you want your bass melodies to be dynamic, maybe choosing disjunct motion in your harmonies will help you achieve that. Your smaller movements can have an impact as well, but the changes might get lost in the mix because the bass frequencies are so low. Bassists Think About the Kind of Music They Play Different genres of music often have specific styles of bass playing in them. Writing a baseline for your song does not necessarily have to be a Beethoven masterpiece, it just has to fit the song. The movement of the music lies in the bass and drums, the basic movement of the drums should be enhanced with the bass. If you write rock music, you can enhance the music with a bluesy bass line. But if you were writing pop music, you wouldnât be able to add in a death metal riff without it sounding heavier than a pop song. There arenât any exact rules or science to your creative outflow, but keeping your genre in mind will help you write a great and memorable bass line for your song. If you want to add something weird for your genre, add it, it may stand out more than you want, or it may be something enjoyable and different. Bassists Think About the Feeling and Expression of the Song Is this an upbeat song or a laid-back jam? Both call for bass, but both are vastly different from each other. Playing your root and octave may move an upbeat song just right but would sound deranged and off-putting as a slower or more romantic song. Rhythmically the bass and drums lock in so the higher frequencies can do a sort of dance and swing on top. Itâs a support system for the higher register instruments while creating its own dynamics. Feeling from the bass should come from both the rhythmic expression and the melodic expression. Bassists Listen to Great Bassists One of the best ways to learn anything is to watch and mimic others. Itâs rarely a bad idea to practice what some of the great bassists have done. Picking up some new tricks can make all the difference in your playing and writing. That backbone from the bass and drums is what you need in your playing, but sometimes itâs nice to have a captivating melody to counterpoint the guitar. Whatever it is you like, pay attention to bassists that bring out that aspect in their songs. Practice what they do and really listen to their techniques and skill level. Paying attention to rhythm and how the music moves, decide what parts want to jump out, and which ones want to stay more laid back. Gear Mentioned 1 FL Studio 20 from Plugin Focusrite Scarlett 2i2 on Amazon caramemetik senar bass yang benar dengan tangan kanan pada posisi yang tepat menempel pick up Pada gambar orang memegang bass berwarna merah di atas dapat dilihat bahwa posisi yang benar adalah dengan menyandarkan jempol pada pick up bass, lebih mirip nginjak sih đ . Dan, jari telunjuk bersiap siap menjangkau semua senar. Hello EveryoneâŠâŠ Mungkin ini saya akan menjelaskan bagaimana sih cara memberi bilyet bass dan treble sreg irama ???âŠ.. Kali ini saya akan memgedit satu musik dan saya buat menjadi panca penggalan. Dan setiap bagiannya akan saya beri efek bass dan treble yang berbeda. Tujuan nya mudahmudahan kita mengetahui perbedaannya. Bikin kelima babak musik tadi akan saya beri surat berharga bass dan treble nan berlainan-tikai⊠Berikut efek bass dan treble yang akan saya gunakan pada kelima bagian irama tadi Pada bagian musik pertama ini akan saya pasrah full bass, rendah treble. Puas babak nada ke dua ini akan saya beri tanpa bass, full treble. Puas bagian musik ke tiga saya serah full bass, rendah setengah treble. Puas bagian nada ke empat saya beri invalid separuh bass, full treble. Sreg bagian nada ke lima saya beri bass dan treble seimbang. Okee langsung kita menginjak sahaja yaaaâŠâŠâŠâŠ.. Langkah-awalan nya sebagai berikut aplikasi Audacity, dahulu akan muncul tampilan interface seperti berikut 2. Habis masukkan lagu/musik yang kepingin di edit, caranya dapat langsung di drag ke Audacity atau pilih File â Import â Audio lalu pilih musiknya klik Open. Maka tampilan nya jadi seperti ini 3. Karna musiknya bersisa panjang menurut saya maka akan saya tikam. Caranya blok bagian nan ingin dibuang, setelah diblok diskriminatif Edit â Cut maka tampilannya jadi seperti ini 4. Seterusnya track nan diatas akan saya gandakan. Caranya blok seluruh track terlampau membeda-bedakan Edit â Copy adv amat membeda-bedakan lagi Edit â Paste maka tampilan nya berubah seperti dibawah ini track musiknya menjadi dua 5. Seterusnya track musik ke dua saya blok kemudian pilih Edit â Cut. Maka tampilan nya menjadi hampa semacam ini 6. Lalu letakkan kursor setolok dengan track pertama 7. Lalu pilih Edit â Paste. Maka tampilannya menjadi begitu juga ini 8. Selanjutnya lakukan hal yang sama seperti kaidah diatas sampai musik menjadi lima bagian/panca track seperti berikut 9. Selanjutnya jika track sudah menjadi lima, langkah lebih jauh adalah dengan memberi surat berharga bass and treble plong saban track. Blok track permulaan sangat pilih Effect â Bass and Treble 10. Dulu muncul tampilan window Bass and Treble. Pada track pertama bakal Full Bass Minus Treble , kerjakan full bass nya saya untuk db, sedangkan sedikit treble nya saya untuk juga db. Sangat klik OK 11. Setelah diklik OK grafik tracknya menjadi berubah seperti berikut 12. Selanjutnya track kedua buat Minus Bass Full Treble sebagai halnya ini 13. Track ke tiga untuk Full Bass Minus setengah Treble 14. Track ke catur buat Adv minim Secabik Bass, Full Treble. 15. Track ke lima kerjakan Bass dan Treble Selevel. Okee kelima track tadi sudah lalu diberi efek Bass and Treble masing-masing, maka setiap track akan farik bunyinya dan kita memafhumi perbedaannya. Okee guys itulah kursus nan saya berikanâŠcukup mudah bukan?? Mahasiswi Politeknik Negeri Sriwijaya Lihat semua pos dari Dienda Fytri Hassanah Mutakadim Terbit 23 April 2022 Navigasi pos Checkit out! 1.) Pastikan Kita Punya Profil Artis Di Musixmatch. Untuk memverifikasi profil artis, maka langkah pertama adalah harus punya profil artis di Musixmatch. Biasanya, Musixmatch akan mengimpor data dari API Spotify dan Apple Music, dan akan tercipta profil-profil artis baru. Hello guys kali ini saya akan membahas bagaimana sih mengatur bas dan treble yang pas dengan aplikasi audacity, sebelumnya saya sudah mebahas bagaimana sih cara memotong dan menyambung lagu melalui audacity kali ini saya akan melanjutkannya, tema pembahasan kita kali ini yaitu cara mengatur bas dan treble pada lagu melalui audacity Yuk langsung aja kita simak pembahasannya Pertama anda masukkan terlebih dahulu lagu yang akan anda edit dengan mengklik tombol file lalu pilih open Blok Bagian lagu yang akan di edit Sesudah di blok kemudian klik edit dan pilih ikon copy lalu buat treck baru terlebih dahulu dengan mengklik trecks dan pilih add new kemudian klik stereo pindahkan kusor ketreck baru yang sudah anda buat tadi kemudian klk edit pilih paste lalu block bagian belakang lagu untuk menghasilkan efek lagu yang di perkecil volumenya dengan mengklik effect lalu pilih fade out kemudian tutup treck lagu pertama/lagu asli yang belum anda potong tadi dengan mengklik close/tanda silang pada bagian ujung treck lalu buat treck baru sebanyak 4 treck dengan mengklik trecks pilih add new kemudian pilih stereo kemudian block semua lagu lalu klik edit dan pilih copy setelah itu pindahkan kusor pada bagian ujung lagu pertama tadi lalu double klik setelah itu klik rdit dan pilih paste laku kan seperti cara nomor 9 sampai nomor sebelas tadi sebanyak beberapa treck yang telah anda buat tadi blok treck pertama lalu klik effect kemudian pilih Bass dan Treble Atur Bass dan treble sessuai keinginaan anda kemudian klik apply, jika kita ingin menaik Bassnya maka bass nya geser kearah positif dan jika ingin mengatur treble maka trebelnya yang positif sedangkan bassnya negatif Lalukan cara nomor 13 sampai 15 pada blok selanjutnya Berikut contoh perbedaan hasilnya Sebelum bass diatur Sesudah di atur basnya Contoh Treble Belum Diatur Contoh Treble Sudah Diatur jika anda membutuhkan contoh hasil pengeditan silakkan download di bawah ini Telah Terbit April 21, 2018 Navigasi pos . 126 310 276 259 109 11 473 175cara menambahkan bass pada lagu
